Bauhaus
OF THE
History
AND
ITS IMPACT
ON
MODERN
DESIGN
Typography by Herbert Bayer above the entrance to the workshop block of the Bauhaus Dessau, 2005
The Bauhaus building in Dessau designed by Walter Gropius (1925−1932)
The main building of the Bauhaus-University Weimar. Built between 1904 and 1911 and designed by Henry van de Velde
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1932
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1925
April 1
1919
In late 1932, Mies rented a derelict factory in Berlin to use as the new Bauhaus with his own money. The students and faculty rehabilitated the building, painting the interior white...
BERLIN
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The Bauhaus moved to Dessau in 1925 and new facilities there were inaugurated in late 1926. Gropius’s design for the Dessau facilities was a return to the futuristic Gropius of 1914...
DESSAU
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The school was founded by Walter Gropius in Weimar on 1 April 1919, as a merger of the Grand-Ducal Saxon Academy of Fine Art and the Grand Ducal Saxon School of Arts and Crafts...
WEIMAR
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The ultimate goal of all art is the building! The ornamentation of the building was once the main purpose of the visual arts, and they were considered indispensable parts of the great building. Today, they exist in complacent isolation, from which they can only be salvaged by the purposeful and cooperative endeavours of all artisans. Architects, painters and sculptors must learn a new way of seeing and understanding the composite character of the building, both as a totality and in terms of its parts. Their work will then re-imbue itself with the spirit of architecture, which it lost in salon art.
The art schools of old were incapable of producing this unity and how could they, for art may not be taught. They must return to the workshop. This world of mere drawing and painting of draughtsmen and applied artists must at long last become a world that builds. When a young person who senses within himself a love for creative endeavour begins his career, as in the past, by learning a trade, the unproductive "artist" will no longer be condemned to the imperfect practice of art because his skill is now preserved in craftsmanship, where he may achieve excellence…
Walter
Gropius
BAUHAUS
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MANIFESTO
FAMOUS
STAFF AND STUDENTS
BAUHAUS
students
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Josef Hartwig
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Wassily Kandinsky
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Johannes Itten
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Josef Albers
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Gallery
Wassily Chairs by Marcel Breuer (1925−1926)
Dormitory balconies in the residence, Dessau
Ceiling with light fixtures, Dessau
A stage in the Festsaal, Dessau
The Mensa (cafeteria), Dessau
Clock by Erich Dieckmann (1931)
Heinrich Neuy’s children’s chair
The Molitor Grapholux lamp, by Christian Dell (1922−1925)
BAUHAUS
The Bauhaus Archive is a state archive and Museum of Design located in Berlin. It collects art pieces, items, documents and literature which relate to the Bauhaus School (1919−1933), and puts them on public display. Currently, the museum is closed due to construction works and will reopen in 2022. It has a temporary space at Knesbeckstr. 1−2 in Berlin-Charlottenburg.
ARCHIVE
MAJOR
IMPACT
The Bauhaus had a major impact on art and architecture trends in Western Europe, Canada, the United States and Israel in the decades following its demise. In 1996, four of the major sites associated with Bauhaus in Germany were inscribed on the UNESCO World Heritage List
01
Schawinsky'S typewriter
02
The White City
03
Bauhaus Museum Dessau

BAUHAUS ARCHIVE/
BAUHAUS MUSEUM IN WEIMAR/ BAUHAUS MUSEUM DESSAU
VISIT ONE OF BAUHAUS MUSEUMS
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*All photo materials, text and describton were taken from Wikipedia
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